![]() ![]() What this process achieves is a diagrammatic representation of the metrical effects of a poem. The third line, however, introduces a variation, holding back its first stress for an extra syllable - "at the last sparks", which can be scanned | uu | // |, after which the iambs pick up again until the end of the stanza. With x being used as a 'missing' syllable - like a rest in music - this line can be scanned as | x/ | u/ | u/ | u/ | u/ |, still maintaining the iambic pentameter. ![]() The next has clear stresses on "one", "clock", "looked" and "round", which is only four at first glance, but there is also a lighter stress on the "for" at the start of the line, particularly as the following "the" is less stressed. The first line has stresses falling thus: "aRRIving EARly AT the CEM e TERY", or u/u/u/u/u/, which sets up a clear pattern, | u/ | u/ | u/ | u/ | u/ |, an iambic pentameter. Patricia Beer's poem 'The Conjuror' might be taken as an example. ![]() 'Mark' can be taken to mean both 'notice' and 'annotate', the latter often done with a u for an unstressed syllable and a slash, /, for a stressed one. Scansion is the process of marking the stresses in a poem, and working out the metre from the distribution of stresses. ![]()
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